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Ahmad Faraz's ghazal captures the allure and mystique of an idealized beloved, drawing on the traditional themes of beauty and longing. The poem opens with the speaker's fascination with a woman so captivating that people gaze at her with full admiration. Each couplet explores a different aspect of her charm, from her connection with the distressed to her enchanting eyes that love pain. The speaker's desire to experience these wonders firsthand is evident as he imagines passing through her street and witnessing the miracles of his craft.

The poem's emotional arc moves from admiration to a deeper yearning to understand and experience the beloved's allure. The speaker's tone is one of longing and curiosity, as he imagines the beauty and charm associated with her. The repetition of "سُنا ہے" (it is said) emphasizes the mythical and almost unattainable nature of the beloved, creating a sense of mystery and allure.

Faraz employs various literary devices to enhance the poem's impact. The use of imagery, such as "چشمِ ناز" (enchanting eyes) and "لبوں سے گلاب جلتے ہیں" (lips burn like roses), paints a vivid picture of the beloved's beauty. The metaphor of the beloved's chamber being adjacent to paradise elevates her to a divine status, while the repetition of "سُنا ہے" creates a rhythmic and hypnotic effect.

The poem's significance lies in its exploration of the universal themes of love and longing, capturing the essence of the ghazal form. Faraz's ability to weave together imagery, emotion, and craft creates a timeless piece that resonates with readers, inviting them to ponder the nature of beauty and desire. The poem reflects Faraz's mastery of the ghazal form and his ability to evoke deep emotions through his words.