بال جبریل
In this profound ghazal, Allama Iqbal explores themes of selfhood, destiny, and divine inquiry. The opening lines, "What should I ask the wise about my beginning?" and "For I remain in this thought: what is my end?" set a contemplative tone, reflecting the speaker's existential musings on the nature of existence and purpose. Iqbal's use of the term 'خودی' (selfhood) underscores the importance of self-realization, urging individuals to elevate their essence so that even God seeks their desires, as expressed in the line, "God Himself asks you, 'What is your desire?'" This highlights the intimate relationship between the divine and the individual, suggesting that true understanding of one's self leads to a deeper connection with God.
As the poem progresses, Iqbal employs the metaphor of alchemy, stating, "This very burning of the soul is my alchemy," to convey the transformative power of passion and suffering. The speaker's journey through fate's depths is illustrated in the line, "I saw the depths of fate in it," indicating a profound awareness of the complexities of destiny. The rhetorical question posed to the companion, "Do not ask, O companion, what that kohl-like eye is," evokes a sense of mystery and the ineffable nature of certain experiences.
The emotional arc of the poem shifts towards a more somber tone in the final couplets. The speaker reflects on the pain caused by the morning's call, culminating in the plea, "O God, what sin is this punishment for?" This evokes a sense of longing and introspection, as the speaker grapples with the consequences of their actions or existence. Iqbal's use of vivid imagery and metaphors throughout the poem enriches its emotional depth, inviting readers to reflect on their own journeys of self-discovery.
Ultimately, Iqbal's work serves as a call to awaken the spirit and embrace the complexities of life, positioning the individual as a pivotal figure in the quest for meaning. His poetry not only resonates with personal struggles but also reflects broader cultural and spiritual aspirations, making him a significant figure in the literary landscape of the 20th century.
| Word | Urdu میں | English میں | Pron. |
|---|---|---|---|
| خرد | عقل | intellect | khird |
| مندوں | عقل مند | wise ones | mandon |
| سے | سے | from | se |
| کیا | کیا | what | kya |
| پوچھوں | پوچھنا | should I inquire | poochun |
| کہ | کہ | that | keh |
| میری | میری | my | meri |
| ابتدا | آغاز | beginning | ibtida |
| ہے | ہے | is | hai |
| میں | میں | in | main |
| اس | یہ | this | is |
| فکر | سوچ | thought | fikr |
| رہتا | رہنا | remain | rehta |
| ہوں | ہوں | am | hun |
| انتہا | ختم | end | intaaha |
| خودی | خود | selfhood | khudi |
| کو | کو | to | ko |
| کر | بنانا | made | kar |
| بلند | عالی | high | buland |
| اتنا | اتنا | so much | itna |
| ہر | ہر | every | har |
| تقدیر | قسمت | destiny | taqdeer |
| پہلے | پہلے | before | pehle |
| خدا | اللہ | the Almighty | khuda |
| بندے | انسان | servant of God | banday |
| خود | اپنے آپ | himself | khud |
| پوچھے | پوچھنا | asks | poochay |
| بتا | بتاؤ | tell | bata |
| تیری | تیری | your | teri |
| رضا | پسند | desire | raza |
| م | یہاں | the | m |
| مقام | جگہ | station | maqam |
| گفتگو | بات چیت | conversation | guftagu |
| اگر | اگر | if | agar |
| کیمیا | کیمیا | the art of transformation | kiymiya |
| گر | ماہر | master | gar |
| یہی | یہی | this | yehi |
| سوز | آگ | passion | soz |
| نفس | روح | spirit | nafs |
| اور | اور | and | aur |
| نظر | نظر | sight | nazar |
| آئیں | آنا | came | aain |
| مجھے | مجھے | to me | mujhe |
| کی | کی | of | ki |
| گہرائیاں | گہرائی | depths | gehraiyan |
| نہ | نہیں | not | na |
| پوچھ | پوچھنا | ask | pooch |
| اے | اے | O | ae |
| ہم | ہم | we | hum |
| نشیں | ساتھی | companion | nashien |
| مجھ | مجھ | me | mujh |
| وہ | وہ | that | woh |
| چشم | آنکھ | eye | chashm |
| سرمہ | کحل | kohl | surma |
| سا | جیسا | like | sa |
| ہوتا | ہونا | were | hota |
| مجذوب | محبت میں دیوانہ | mystic | majzoob |
| فرنگی | غیر ملکی | foreigner | farangi |
| زمانے | وقت | age | zamane |
| تو | تو | then | tu |
| اقبال | اقبال | Iqbal | Iqbal |
| سمجھاتا | سمجھانا | would explain | samjhaata |
| کبریا | عظمت | greatness | kubriya |
| نوائے | آواز | call | nawaaye |
| صبح | صبح | morning | subah |
| گاہی | گاہ | caller | gahi |
| نے | نے | has | ne |
| جگر | دل | heart (figuratively) | jigar |
| خون | خون | blood | khoon |
| دیا | دیا | gave | diya |
| میرا | میرا | my | mera |
| خدایا | اے خدا | O Lord | khudaya |
| جس | جس | which | jis |
| خطا | غلطی | wrongdoing | khata |
| یہ | یہ | this | ye |
| سزا | سزا | punishment | saza |
Sir Muhammad Iqbal (9 November 1877 – 21 April 1938) was an Islamic philosopher and poet, widely regarded as one of the most important Muslim thinkers of the 20th century. His poetry in Urdu is considered among the greatest, and he played a significant role in inspiring the Pakistan Movement.
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