koī ummīd bar nahīñ aatī
Mirza Ghalib's ghazal explores themes of despair, existential uncertainty, and the paradox of life and death. The opening lines express a profound sense of hopelessness, as the speaker sees no resolution to his troubles. The inevitability of death is acknowledged, yet the speaker is troubled by sleepless nights, suggesting a restless mind.
Ghalib reflects on his past ability to laugh at his own heart's condition, but now finds no joy in anything. This shift indicates a deepening of sorrow or disillusionment. Despite understanding the spiritual benefits of religious devotion, the speaker admits his heart is not drawn to such practices, highlighting a conflict between knowledge and inclination.
The poem's emotional arc moves from resignation to a muted defiance. The speaker questions his own silence, suggesting an internal struggle with expression. The imagery of a scarred heart and a healer who cannot perceive its pain underscores the theme of unacknowledged suffering.
Ghalib employs metaphors and paradoxes to convey his existential musings. The repetition of "nahīñ aatī" (does not come) creates a rhythmic lament, enhancing the sense of unfulfilled desires. The ghazal's structure allows for a series of couplets that each encapsulate a distinct emotional or philosophical insight.
Ultimately, the poem reflects Ghalib's broader contemplation on the human condition, where desires remain unfulfilled and existential questions linger. His work remains significant for its ability to articulate complex emotions with elegance and depth, resonating with readers across generations.
| Word | Easy Meaning | Translation | Pron. |
|---|---|---|---|
| koī | kuchh | some | koi |
| ummīd | āśā | hope | ummeed |
| bar | phir | again | bar |
| nahīñ | nahi | not | nahin |
| aatī | ā rahī hai | comes | aati |
| sūrat | chehra | form | soorat |
| nazar | dikhāī | visible | nazar |
| maut | mrityu | death | maut |
| kā | ka | of | ka |
| ek | ek | one | ek |
| din | din | day | din |
| muayyan | nirdhārit | fixed | muayyan |
| hai | hai | is | hai |
| niind | nind | sleep | neend |
| kyuuñ | kyon | why | kyun |
| raat | raat | night | raat |
| bhar | pūrī | entire | bhar |
| aage | pahle | earlier | aage |
| hāl-e-dil | dil kā hāl | heart's condition | haal-e-dil |
| hañsī | hansī | laughter | hansi |
| ab | ab | now | ab |
| kisī | kisi | any | kisi |
| baat | bāt | matter | baat |
| par | lekin | but | par |
| jāntā | jānā | know | jaanta |
| huuñ | hu | am | hoon |
| savāb-e-tā.at-o-zohd | ibādat kā inām | reward of worship | sawaab-e-ta'at-o-zohd |
| tabī.at | man | inclination | tabiyat |
| idhar | yahāñ | here | idhar |
| kuchh | thodā | some | kuchh |
| aisī | aisī | such | aisi |
| hī | bas | only | hi |
| jo | jo | that | jo |
| chup | khāmōsh | silent | chup |
| varna | nahiñ to | otherwise | warna |
| kyā | kya | why | kya |
| kar | bol | speak | kar |
| na | nahiñ | not | na |
| chīḳhūñ | chīḳhūñ | scream | cheekhoon |
| ki | kyunki | because | ki |
| yaad | smriti | remember | yaad |
| karte | kārte | do | karte |
| haiñ | hai | are | hain |
| merī | merī | my | meri |
| āvāz | āwāz | voice | aawaaz |
| gar | agar | if | gar |
| dāġh-e-dil | dil kā dāġh | heart's scar | daagh-e-dil |
| nahiñ | nahi | not | nahin |
| bū | khushbū | scent | boo |
| bhī | bhī | also | bhi |
| ai | o | O | ai |
| chārā-gar | ilāj karne wālā | healer | chaara-gar |
| ham | hum | we | ham |
| vahāñ | us jagah | there | wahan |
| jahāñ | jagah | where | jahan |
| se | se | from | se |
| ko | ko | to | ko |
| hamārī | hamārī | our | hamaari |
| ḳhabar | samāchār | news | khabar |
| marte | marte | die | marte |
| aarzū | icchā | desire | aarzoo |
| meñ | meñ | in | mein |
| marne | marne | to die | marne |
| kī | kā | of | ki |
| kā'ba | kaaba | Kaaba | ka'ba |
| kis | kaun | which | kis |
| muñh | chehra | face | munh |
| jāoge | jāoge | will go | jaoge |
| 'ġhālib' | Ghalib | Ghalib | Ghalib |
| sharm | sharam | shame | sharm |
| tum | tum | you | tum |
| magar | lekin | but | magar |
Mirza Asadullah Beg Khan, known as Mirza Ghalib, was an Indian poet of the Mughal Empire. He wrote in Persian and Urdu, addressing themes of love, loss, and philosophy. His ghazals are a significant part of Urdu literature.
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