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The poem 'Necking' juxtaposes the innocence of a zoo visit with the complexities of adolescence and identity. The speaker's older cousin Arch takes her to the Philadelphia zoo, where they observe giraffes, likening them to high-fashion models. This comparison highlights the elegance and grace of giraffes, while also introducing the concept of 'necking'—a term used both for giraffes' fighting behavior and human romantic interaction.

Arch's playful yet insightful commentary reveals deeper layers of meaning. He describes giraffes as 'high-fashion models of the savanna,' suggesting a parallel between the natural world and human society's obsession with beauty and competition. The phrase 'all that puberty breath' humorously acknowledges the awkwardness of adolescence, while also hinting at the inevitable transition from innocence to experience.

The emotional arc of the poem moves from light-hearted curiosity to a more reflective tone. The speaker's desire to see the lions alone signifies a step towards independence and self-discovery. Arch's statement, 'I’ve seen them all my life,' implies a familiarity with danger and perhaps a protective instinct towards his younger cousin.

Literary devices such as metaphor and imagery are skillfully employed. The metaphor of giraffes as fashion models creates a vivid image, while the imagery of 'tar and cement' safari contrasts the natural and artificial. The poem's free verse form allows for a conversational tone, enhancing its accessibility and relatability.

Ultimately, 'Necking' explores themes of growth, perception, and the blurred lines between human and animal behaviors. It reflects on how we navigate relationships and identity, using the zoo as a microcosm of the larger world.