清平调
Li Bai's "Qingping Diao" is a collection of three poems that explore themes of beauty, love, and longing, particularly in relation to the legendary figure Yang Guifei. The opening lines, "云想衣裳花想容,春风拂槛露华浓," evoke a vivid image of nature's beauty, suggesting that both clouds and flowers yearn for their ideal forms. The speaker's longing is further emphasized in the line, "若非聿玉山头见," where the desire to meet the beloved under the moonlight adds a layer of romantic yearning.
As the poems progress, the emotional tone shifts to a sense of melancholy. In the second poem, the line "一枝紅豔露凝香" illustrates the beauty of a flower, yet it is juxtaposed with heartbreak caused by separation, as indicated by "雲雨巫山枉斷腸." This contrast between beauty and sorrow creates a poignant emotional arc, reflecting the complexities of love.
Li Bai employs various literary devices, such as imagery and metaphor, to enhance the reader's experience. The use of nature as a metaphor for beauty and longing is prevalent throughout the poems, creating a rich tapestry of emotions. The repetition of the phrase "清平調" serves as a refrain, grounding the reader in the theme of tranquility amidst emotional turmoil.
Ultimately, these poems encapsulate the essence of love and beauty while also acknowledging the pain of longing and separation. Li Bai's work is significant not only for its lyrical beauty but also for its exploration of the human experience, making it a timeless reflection on love and loss in the context of the Tang dynasty's cultural landscape.
| Word | In Chinese | In English | Pron. |
|---|---|---|---|
| 清平调 | 清平的旋律 | The melody of tranquility | Qingping Diao |
| 云 | 云彩 | Cloud | yun |
| 想 | 想念 | To think of | xiang |
| 衣裳 | 衣服 | Clothing | yishang |
| 花 | 花朵 | Flower | hua |
| 容 | 容貌 | Beauty | rong |
| 春风 | 春天的风 | Spring breeze | chunfeng |
| 拂 | 轻轻吹 | To brush | fu |
| 槛 | 栏杆 | Railing | kan |
| 露 | 露水 | Dew | lu |
| 华 | 华丽 | Magnificence | hua |
| 浓 | 浓厚 | Thick | nong |
| 若 | 如果 | If | ruo |
| 非 | 不是 | Not | fei |
| 聿 | 玉 | Jade | yu |
| 玉 | 美玉 | Jade | yu |
| 山头 | 山的顶端 | Mountain top | shantou |
| 见 | 看见 | To see | jian |
| 会 | 将会 | Will | hui |
| 向 | 朝向 | Towards | xiang |
| 瑶台 | 美丽的台 | Yao platform | yaotai |
| 月下 | 月亮下 | Under the moon | yuexia |
| 逢 | 相遇 | To meet | feng |
| 一枝 | 一根 | A branch | yizhi |
| 紅豔 | 红色的美丽 | Red beauty | hongyan |
| 凝香 | 香气凝聚 | Fragrance condenses | ningxiang |
| 云雨 | 云和雨 | Clouds and rain | yunyu |
| 巫山 | 巫山 | Wushan | wushan |
| 枉 | 白白 | Futile | wang |
| 断肠 | 心碎 | Heartbreak | duanchang |
| 借问 | 请问 | May I ask | jie wen |
| 汉宫 | 汉代的宫殿 | Han palace | hangong |
| 谁 | 谁 | Who | shui |
| 得 | 得到 | To obtain | de |
| 似 | 像 | To resemble | si |
| 可怜 | 可悲 | Pitiful | kelian |
| 飞燕 | 飞翔的燕子 | Flying swallow | feiyan |
| 倚 | 依靠 | To lean | yi |
| 新妆 | 新的妆容 | New makeup | xinzhuang |
| 名花 | 著名的花 | Famous flower | minghua |
| 倾国 | 倾倒国家 | Overturning nations | qingguo |
| 两相欢 | 彼此快乐 | Both are joyful | liangxianghuan |
| 常 | 经常 | Often | chang |
| 君王 | 国王 | King | junwang |
| 带笑 | 带着笑容 | With a smile | dai xiao |
| 看 | 看见 | To see | — |
| 解释 | 解释 | To explain | jiexi |
| 无限 | 没有尽头 | Endless | wuxian |
| 恨 | 仇恨 | Hate | hen |
| 沉香亭 | 沉香的亭子 | Sandalwood pavilion | chenxiangting |
| 北 | 北方 | North | bei |
| 栏干 | 栏杆 | Railing | langan |
Li Bai (c. 701 – 762) was a prominent Chinese poet of the Tang dynasty, known for his romantic and imaginative style. He is celebrated as one of the greatest poets in Chinese history, often associated with the themes of nature, friendship, and the joys of life.
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