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Lesedi Nkhobo's poem 'A Woman' delves into the mysterious and unsettling presence of a woman during a time of death, exploring themes of grief and mourning. The poem opens with the image of a woman in black attending the speaker's death, gently holding the mother's cheek to calm her heart. This woman, who is unfamiliar to the speaker, uses words and songs to soothe the mourners, yet her presence remains enigmatic.

The poem's imagery is vivid, with phrases like 'cuddle cropped breath' and 'singing warming songs in Greek' painting a picture of an attempt to bring comfort amidst sorrow. The woman's actions, such as licking the mother's tears and singing 'impure romantic songs,' add a layer of complexity and discomfort, suggesting a ritualistic or symbolic act that is both nurturing and unsettling.

Emotionally, the poem captures a sense of confusion and unease. The speaker is confronted with a stranger who seems to offer solace but also embodies the inexplicable aspects of grief. The tone shifts from initial curiosity to a deeper reflection on the nature of mourning and the roles people play in it.

Nkhobo employs literary devices such as repetition with 'I never saw that hand from birth,' emphasizing the unfamiliarity and mystery of the woman's presence. The use of metaphor, as in 'spit remains like the ink from a pen,' highlights the permanence of grief's impact.

Ultimately, the poem reflects on the rituals and emotions surrounding death, questioning the boundaries between comfort and intrusion. It invites readers to ponder the roles of strangers in our most intimate moments of loss, fitting into the broader context of contemporary explorations of identity and human connection in times of sorrow.