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In 'estatuas mendigan', Joel Fortunato Reyes Pérez explores themes of stagnation and the yearning for change through the metaphor of statues. The poem opens with the stark image of 'estatuas mendigan' or 'statues beg', suggesting a sense of desperation and lifelessness in the urban landscape. The line 'en calles y avenidas' grounds this imagery in the everyday reality of city life, where dreams ('Sueños sin sacrificios') are depicted as 'piedras con vida'—stones with life—highlighting the tension between aspiration and the harshness of existence.

As the poem progresses, the speaker reflects on the transformation of history into 'cenizas' or ashes, indicating a loss of identity and meaning over time. The repetition of 'estatuas sin brazos' emphasizes the feeling of helplessness and the inability to act, reinforcing the notion that these figures, while yearning to triumph, are trapped in their inactivity. The emotional arc shifts as the speaker expresses a desire for change, contemplating the act of 'luchar' or fighting, yet feels overwhelmed by the weight of inertia.

The use of free verse allows for a fluid expression of these complex emotions, while the imagery of statues serves as a powerful metaphor for societal apathy and personal paralysis. The concluding lines resonate with a universal sense of despair, as the speaker acknowledges their petrification and the inevitability of stagnation. Ultimately, Reyes Pérez's poem captures the struggle between the desire for agency and the reality of being trapped in a cycle of inaction, reflecting broader societal issues that resonate with contemporary readers.