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The Lammas Hireling

Ian DuhigEnglish26 versi2 analisi pubbliche
Original Poetry
Translation
The Lammas Hireling
After the fair, I still felt cheerful
by Ian Duhig
and had plenty of money, he was so cheap.
After the fair, I’d still a light heart
The cattle adored him: during his time
and a heavy purse, he struck so cheap.
my cows only gave birth to fat calves.
And cattle doted on him: in his time
Profits doubled. I liked the company
mine only dropped heifers, fat as cream.
that knew when to be quiet. Then one night,
Yields doubled. I grew fond of company
that knew when to shut up. Then one night,
disturbed from dreams of my dear late wife,
woken from dreams of my late wife,
I hunted down her torn voice to his pale form.
I followed her broken voice to his pale shape.
Stock-still in the light from the dark lantern,
He stood still in the light of the dark lantern,
stark-naked but for one bloody boot of fox-trap,
naked except for a bloody fox-trap boot,
I knew him a warlock, a cow with leather horns.
I realized he was a sorcerer, a cow with fake horns.
To go into the hare gets you muckle sorrow,
Going into the hare brings you a lot of sorrow,
the wisdom runs, muckle care. I levelled
the saying goes, a lot of trouble. I aimed
and blew the small hour through his heart.
and shot him through the heart in the early hours.
The moon came out. By its yellow witness
The moon appeared. By its yellow light
I saw him fur over like a stone mossing.
I saw him grow fur like moss on a stone.
His lovely head thinned. His top lip gathered.
His beautiful head shrank. His top lip curled.
His eyes rose like bread. I carried him
His eyes rose like bread. I carried him
in a sack that grew lighter at every step
in a sack that got lighter with each step
and dropped him from a bridge. There was no
and dropped him from a bridge. There was no
splash. Now my herd’s elf-shot. I don’t dream
splash. Now my cattle are cursed. I don't dream
but spend my nights casting ball from half-crowns
but spend my nights making bullets from coins
and my days here. Bless me Father for I have sinned.
and my days here. Forgive me Father for I have sinned.
It has been an hour since my last confession.
It has been an hour since my last confession.
 

Explanation

The poem 'The Lammas Hireling' by Ian Duhig is a dramatic monologue that tells the story of a farmer who hires a mysterious and seemingly magical farmhand during the Lammas harvest. Initially, the hireling brings prosperity to the farm, but the farmer becomes suspicious and discovers the hireling's supernatural nature. In a fit of fear and superstition, the farmer kills the hireling, believing him to be a warlock. The poem explores themes of guilt, transformation, and the supernatural, drawing on Northern Irish folklore. The farmer's confession at the end reveals his deep sense of guilt and the psychological burden of his actions. The poem uses vivid imagery and symbolism, such as the transformation of the hireling into a hare and the moon's yellow light, to convey the eerie and haunting atmosphere. The narrative structure and use of enjambment create a sense of urgency and tension, reflecting the farmer's inner turmoil and the mysterious nature of the hireling.

Word Dictionary15

WordIn EnglishPlain (English)Pron.
hirelingworkera person hired to do basic workhire-ling
dotedadoredto love or care for deeplydo-ted
heifersyoung cowsyoung female cowshei-fers
warlocksorcerera man who practices magicwar-lock
mucklemucha lotmuck-le
elf-shotcursedsupernaturally cursedelf-shot
confessionadmissionadmitting guiltcon-fes-sion
sinneddone wrongdid something wrongsinned
yieldsproduceswhat is producedyields
stark-nakedcompletely nakedtotally unclothedstark-naked
stock-stillmotionlessnot moving at allstock-still
palelight-coloredlight in colorpale
mossingcoveringgrowing mossmoss-ing
furhairanimal hairfur
castingmakingcreating by shapingcast-ing

Poet & Context

EraContemporary

Robert Ian Duhig is a British-Irish poet born in 1954. He worked for 15 years with homeless people before becoming a poet. Duhig has written for magazines, newspapers, and the stage, and has been involved in various musical and literary projects. He is a Fellow of the Royal Society of Literature.

View on Wikipedia
When2003
WhyThe poem is based on Northern Irish folklore and explores themes of guilt, transformation, and superstition. It reflects on the mysterious and supernatural elements of rural life and the psychological impact of guilt and sin.
FormDramatic monologue

Themes & More

GuiltSupernaturalTransformationFolklore
Imagery: Vivid descriptions of the hireling's transformation and the eerie atmosphere.Symbolism: The moon, the hare, and the sack symbolize guilt and transformation.Enjambment: Lines flow into each other, creating tension and urgency.Dramatic Monologue: The poem is a first-person narrative revealing the speaker's inner thoughts.