Les sanglots longs
Paul Verlaine's 'Chanson d'automne' is a poignant reflection on the passage of time and the melancholy of autumn. The poem opens with the image of 'Les sanglots longs / Des violons / De l’automne,' which evokes the mournful sound of violins as a metaphor for the sadness of the season. This sound 'Blessent mon coeur / D’une langueur / Monotone,' suggesting a deep, unchanging sorrow that wounds the speaker's heart.
As the poem progresses, Verlaine describes a suffocating and pale feeling that arises 'quand / Sonne l’heure,' when the hour strikes. This moment triggers memories of 'Des jours anciens,' the old days, leading the speaker to weep for the past. The imagery of time passing and the inevitability of change is central to the poem's emotional impact.
The final stanza conveys a sense of resignation as the speaker is carried away by 'Au vent mauvais,' the bad wind, likening himself to 'la / Feuille morte,' a dead leaf. This metaphor captures the speaker's sense of helplessness and the transient nature of life.
Verlaine's use of musicality, particularly through the repetition of sounds and the rhythm of the lines, enhances the poem's melancholic tone. The interplay of sound and imagery creates a vivid emotional landscape that resonates with the reader.
'Chanson d'automne' is significant for its exploration of themes such as nostalgia, the passage of time, and the inevitability of decay. It reflects Verlaine's mastery of symbolist techniques and his ability to evoke deep emotional responses through subtle and nuanced language.
| Word | Easy Meaning | Translation | Pron. |
|---|---|---|---|
| Les | les | the | Leh |
| sanglots | pleurs | sobs | sahn-gloh |
| longs | prolongés | long | lohng |
| Des | des | of the | Deh |
| violons | instruments à cordes | violins | vee-oh-lohn |
| De | de | of | Deh |
| l’automne | la saison | autumn | loh-tohn |
| Blessent | font mal | wound | bleh-sahnt |
| mon | mon | my | mohn |
| coeur | coeur | heart | kuhr |
| D’une | d'une | of a | d'yoon |
| langueur | mélancolie | languor | lahn-guhr |
| Monotone | invariable | monotonous | moh-noh-tohn |
| Tout | entièrement | all | too |
| suffocant | étouffant | suffocating | soo-foh-kahnt |
| Et | et | and | Eh |
| blême | pâle | pale | blehm |
| quand | lorsque | when | kahn |
| Sonne | retentit | strikes | sohn |
| l’heure | le moment | the hour | luhr |
| Je | je | I | Zhuh |
| me | me | myself | muh |
| souviens | rappelle | remember | soo-vyen |
| jours | jours | days | zhoor |
| anciens | passés | old | ahn-syen |
| je | je | I | zhuh |
| pleure | pleure | cry | pluhr |
| m’en | m'en | myself | mahn |
| vais | pars | leave | veh |
| Au | au | in the | oh |
| vent | vent | wind | vahn |
| mauvais | mauvais | bad | moh-veh |
| Qui | qui | that | kee |
| m’emporte | m'emporte | takes me | mahmpohrt |
| Deçà | ici | here | deh-sah |
| delà | là-bas | there | deh-lah |
| Pareil | semblable | like | pah-rehy |
| à | à | to | ah |
| la | la | the | lah |
| Feuille | feuille | leaf | foy |
| morte | morte | dead | mohrt |
Paul Verlaine (1844–1896) was a French poet associated with the Symbolist, Parnassianist, and Decadent movements. Known for his lyrical sensibility, Verlaine's work is characterized by its musicality and subtlety. His tumultuous personal life, including a controversial relationship with Arthur Rimbaud, influenced his poetry.
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