۔

امرؤ القيسArabic11 lines1 public analyses
Original Poetry
Translation
۔
Pause and let's cry for the memory of a loved one and a place in the lowland between Dakhul and Hawmal.
ابیات من امرؤالقیس
A night like ocean waves, its curtains drawn over me with various worries to challenge me.
قِ فا ن بْكِ مِ نْ ذِكْ رى حبِیبٍ و منِْْلِ بِسِقْطِ اللَِّ وى ب ین ال دَّخُولِ ف حوْ ملِ
I said to it, when it stretched its back and followed its hind parts, burdened with everything.
ول یْلٍ ك موْجِ ال بحْرِ أ رْ خ سُدُول هُ ع ل يَّ بِأنْواعِ الهُمُومِ لِ یبْ تلِي
O long night, won't you clear with the morning, and what is the morning like you?
فقُلْتُ ل هُ ل مَّ ا ت م طَّى بِصُلْبِهِ وأ رْ د ف أ عْجازًا ون ا ء بِک لْ كلِ
Oh, what a night, as if its stars were tied with twisted thread to Yathbul.
أ لا أ یَُّها الل یْلُ ال طَّویلُ أ لا انْ جلِی بِصُبْحٍ وما الإِصْباحُ مِنْ ك بِأ مْ ثلِ
As if the Pleiades were hung in their places with flax ropes to solid rocks.
فیا ل ك مِنْ ل یْلٍ ک أ نَّ نُجُو مهُ بِکلَُِّ مُ غارِ ال فتْلِ شُ دَّتْ بِ یذْبُلِ
I set out while the birds are in their nests with a swift horse that captures wild beasts.
ک أ نَّ الثَُّ ری ا عُلَِّ قتْ في م صامِها بِأ مْراسِ ك تَّانٍ إ لی صُمَِّ جنْ دلِ
Running forward and backward, coming and going together like a torrent of rocks washed by the flood from above.
و قدْ أ غْ تدِي وال طَّیْرُ فِي وُكُناتِها بِمُنْ جرِدٍ قیْدِ الأ وابِدِ ھیْ ك ی لِ
A dark horse whose saddle slips from its back like the smoothness of a polished stone.
مِ كرٍَّ مِ فرٍَّ مُقْبِلٍ مُدْبِرٍ معًا كجُل مُودِ صخْرٍ ح طَّهُ ال سَّیْل مِنْ علِ
کُ میْتٍ ی زِلَُّ الل بْدُ عنْ حالِ متْنِهِ ك ما زل تِ ال صَّفْ واءُ بِالمُ ت ن زَّلِ
 

Explanation

This poem by Imru' al-Qais is a classic example of pre-Islamic Arabic poetry, known as the Mu'allaqat. It begins with a call to pause and mourn the memories of a beloved and a place, evoking nostalgia and a sense of loss. The poet describes a night filled with worries, comparing it to the vast and tumultuous sea. He personifies the night, questioning its length and yearning for the morning. The imagery of the night is vivid, with stars likened to being tied with ropes, and the Pleiades depicted as anchored to stones. The poet also describes setting out with a swift horse, emphasizing its speed and agility, akin to a torrent of rocks. The poem captures themes of longing, the passage of time, and the harshness of life, all conveyed through rich metaphors and vivid imagery.

Word Dictionary94

WordIn ArabicIn EnglishPron.
قِقفstopqi
فاثمthenfa
ننحنwena
بْكِنبكيcrybki
مِ نْمنfrommin
ذِكْ رىتذكرmemorydhikraa
حبِیبٍمحبوبbelovedhabeeb
ووandwa
منِْْلِمكانplacemanzil
بِسِقْطِفيinbisqti
اللَِّ وىالواديlowlandallawaa
ب ینبينbetweenbayna
ال دَّخُولِمكانDakhulad-dakhul
ف حوْ ملِمكانHawmalfahawmal
ولوandwa
یْلٍليلnightlaylin
كمثلكlike youka
موْجِأمواجwavesmawj
ال بحْرِالبحرthe seaal-bahr
أ رْ خأرخىdrawnarkha
سُدُول هُستائرcurtainssudoolahu
ع ل يَّعليover mealayya
بِأنْواعِبأنواعvariousbi-anwaa'i
الهُمُومِهمومworriesal-humoom
لِ یبْ تلِيليختبرنيto challenge meliyabtalee
فقُلْتُقلتI saidfaqultu
ل هُلهto itlahu
ل مَّ اعندماwhenlammaa
ت م طَّىامتدstretchedtamattaa
بِصُلْبِهِبظهرهits backbisulbihi
وأ رْ د فوتبعand followedwa-ardafa
أ عْجازًانهاياتhind partsa'jaazan
ون ا ءوحملburdenedwanaa
بِک لْبكلeverythingbikulli
كلِكلeverythingkulli
أ لاألاwon't youalaa
أ یَُّهاأيهاOayyuhal
الل یْلُالليلnightal-laylu
ال طَّویلُالطويلlongat-taweel
انْ جلِیتظهرclearanjali
بِصُبْحٍبصباحwith morningbisubh
وماوماand whatwa ma
الإِصْباحُالصباحthe morningal-isbaah
مِنْمنfrommin
بِأ مْ ثلِبمثلlikebi-mithli
فیاياOhfaya
ل كلكwhat alaka
ل یْلٍليلnightlaylin
کمثلas ifka
أ نَّأنas ifanna
نُجُو مهُنجومهits starsnujumahu
بِکلَُِّبكلwith allbikulli
مُ غارِمغارtwistedmughaar
ال فتْلِالفتلthreadal-fatli
شُ دَّتْشدتwere tiedshuddat
بِ یذْبُلِبيذبلto Yathbulbi-yathbul
الثَُّ ری االثرياthe Pleiadesath-thurayaa
عُلَِّ قتْعلقتwere hungulliquat
فيفيinfi
م صامِهامصامهاtheir placesmasaamiha
بِأ مْراسِبأمراسwith ropesbi-amraas
ك تَّانٍكتانflaxkataan
إ لیإلىtoila
صُمَِّ جنْ دلِصم جندلsolid rockssum jandal
قدْقدandqad
أ غْ تدِيأغتديI set outaghtadi
وال طَّیْرُوالطيرwhile the birdswa-at-tayru
فِيفيinfi
وُكُناتِهاوكناتهاtheir nestswukunaatiha
بِمُنْ جرِدٍبمنجرwith a swift horsebimunjarid
قیْدِقيدcapturesqayd
الأ وابِدِالأوابدwild beastsal-awabid
ھیْ كهيكcaptureshayk
ی لِيلswiftyil
مِ كرٍَّمكرforwardmikr
مِ فرٍَّمفرbackwardmifr
مُقْبِلٍمقبلcomingmuqbil
مُدْبِرٍمدبرgoingmudbir
معًامعاtogetherma'an
كجُل مُودِكجل مودtorrentkajul mood
صخْرٍصخرrockssakhr
ح طَّهُحطهwashedhatthahu
ال سَّیْلالسيلfloodas-sayl
علِعلىaboveala
کُ میْتٍكميتdark horsekumayt
ی زِلَُّيزلslipsyazillu
الل بْدُاللبدsaddleal-labdu
عنْعنfroman
حالِحالbackhaal
متْنِهِمتنهbackmatnihi
ك ماكماlikekama
زل تِزلتslipszallat
ال صَّفْ واءُالصفاءsmoothnessas-safwaa
بِالمُ ت ن زَّلِبالمتنزلpolished stonebil-mutanzal

Poet & Context

EraPre-Islamic Arabian

Imru' al-Qais was a pre-Islamic Arabian poet from Najd, considered the father of Arabic poetry. His famous poem 'Let us stop and weep' is part of the Mu'allaqat, a collection of pre-Islamic poems. He led a scandalous lifestyle and was eventually exiled, but later avenged his father's death.

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WhenLate 5th to early 6th century
WhyThe poem is part of the Mu'allaqat, a collection of pre-Islamic poems that were highly esteemed. It reflects themes of nostalgia, loss, and the harsh realities of life.
FormMu'allaqat

Themes & More

nostalgialossnaturetimememory
metaphor: The night is compared to the sea, emphasizing its vastness and depth.personification: The night is given human-like qualities, being asked to clear with morning.imagery: Vivid descriptions of the night, stars, and horse create a rich visual experience.simile: Stars are likened to being tied with ropes, and the horse's movement to a torrent of rocks.
۔ by امرؤ القيس — Poem, Translation & Meaning