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Allan AhlbergEnglish28 lines1 public analyses
Original Poetry
Translation
```
Scissors by Allan Ahlberg
Scissors by Allan Ahlberg
Nobody leave the room.
No one should leave the room.
Everyone listen to
Everyone pay attention to
We had ten pairs of scissors
We had ten pairs of scissors
At half-past two,
At two-thirty,
And now there’s only three.
And now there are only three.
Seven pairs of scissors
Seven pairs of scissors
Disappeared from sight.
Have vanished from view.
Not one of you leaves
None of you can leave
Till we find them.
Until we find them.
We can stop here all night!
We can stay here all night!
Scissors don’t lose themselves,
Scissors don’t just disappear,
Melt away or explode.
Melt away, or blow up.
Scissors have not got
Scissors don’t have
Legs of their own
Their own legs
To go running off up the road.
To run away down the street.
We really need those scissors,
We really need those scissors,
That’s what makes me mad.
That’s what makes me angry.
(It was seven pairs
(It was seven pairs
Of children we’d lost,
Of children we lost,
It wouldn’t be so bad.
It wouldn’t be so terrible.
I don’t want to hear excuses.
I don’t want to hear any excuses.
Don’t anyone speak.
Don’t anyone talk.
Just ransack this room
Just search this room
Till we find them,
Until we find them,
Or we’ll stop here all week!
Or we’ll be here all week!
```
 

Explanation

In 'Scissors,' Allan Ahlberg humorously captures the chaos of a classroom where the disappearance of scissors becomes a focal point of frustration. The poem opens with a commanding tone, as the speaker insists, 'Nobody leave the room,' establishing a sense of urgency and authority. The stark contrast between the initial count of 'ten pairs of scissors' and the alarming revelation that 'now there’s only three' sets the stage for the ensuing drama, highlighting the absurdity of the situation.

As the poem progresses, the speaker's frustration mounts, emphasizing that 'scissors don’t lose themselves.' This line serves as a metaphor for accountability and the need for responsibility among the children. The playful imagery of scissors lacking 'legs of their own' adds a layer of whimsy, suggesting that the scissors could not have simply wandered off. This anthropomorphism not only lightens the mood but also reinforces the idea that the children are the ones responsible for their disappearance.

The emotional arc of the poem transitions from a light-hearted annoyance to a more serious tone as the speaker expresses anger, stating, 'That’s what makes me mad.' The humorous undertone persists, yet the speaker’s frustration is palpable, reflecting the challenges of managing a group of children. The playful yet authoritative voice resonates with readers, evoking both empathy and amusement.

Ahlberg employs various literary devices, such as repetition and rhyme, to enhance the poem's rhythm and engage young readers. The repeated insistence on searching for the scissors creates a sense of urgency, while the playful language invites laughter. The poem's significance lies in its exploration of childhood chaos and the humorous challenges faced by educators, making it a relatable piece for both children and adults alike.

Word Dictionary52

WordIn EnglishPlain (English)Pron.
Nobodyکوئی نہیںNo oneKoi nahi
leaveچھوڑناto go awayChhodna
roomکمرہa space enclosed by wallsKamra
EveryoneسبAll peopleSab
listenسنناto pay attention to soundSunna
pairsجوڑےsets of twoJoray
scissorsقینچیa cutting toolQainchi
half-pastساڑھےthirty minutes afterSaadhe
twoدوthe number 2Do
there’sوہاں ہےthere isWahan hai
threeتینthe number 3Teen
Sevenساتthe number 7Saat
DisappearedغائبvanishedGhaib
sightنظارہthe ability to seeNazara
oneایکthe number 1Aik
leavesچھوڑتا ہےgoes awayChhodta hai
Tillجب تکuntilJab tak
findپاناto discoverPana
stopرکناto ceaseRukna
nightراتthe period of darknessRaat
don’tنہیںdo notNahi
loseکھوناto misplaceKhoona
Meltپگھلناto turn into liquidPighalna
awayدورto a distanceDoor
explodeبھرکناto burst violentlyBharakna
gotپایاreceivedPaya
Legsپاؤںlimbs for walkingPaon
goجاناto moveJana
runningدوڑناmoving quicklyDorna
offباہرaway fromBahar
roadسڑکa pathway for vehiclesSadak
needضرورتto requireZaroorat
that’sیہ ہےthat isYeh hai
makesبناتا ہےcausesBanata hai
madغصہangryGussa
(Itیہthis isYeh
sevenساتthe number 7Saat
childrenبچےyoung peopleBachay
we’dہم نےwe hadHum ne
lost,کھو دیاmisplacedKho diya
wouldn’tنہیں ہوگاwould notNahi hoga
bad.براnot goodBura
wantچاہتا ہوںdesireChahata hun
hearسنناto listenSunna
excuses.عذرreasons for not doing somethingUzr
Don’tنہیںdo notNahi
anyoneکسیany personKisi
speak.بولناto talkBolna
ransackتلاشی کرناto search thoroughlyTalashi karna
them,انہیںreferring to the scissorsUnhein
we’llہم کریں گےwe willHum karenge
week!ہفتہ!a period of seven daysHafta

Poet & Context

EraContemporary

Allan Ahlberg (1938-2025) was a British author known for his children's books, often co-created with his wife Janet Ahlberg. They produced numerous beloved picture books that have become classics in children's literature.

View on Wikipedia
WhenLate 20th century
WhyThe poem reflects the humorous chaos of a classroom setting, where the disappearance of scissors becomes a metaphor for the challenges of managing children and their belongings.
FormChildren's poetry

Themes & More

childhood chaosresponsibility
repetition: emphasizes urgency and frustrationhumor: lightens the tone of a serious situation
``` by Allan Ahlberg — Poem, Translation & Meaning