Dijo una voz popular:

Antonio MachadoSpanish21 lines1 public analyses
Original Poetry
Translation
Dijo una voz popular:
A popular voice said:
Quién me presta una escalera
Who lends me a ladder
para subir al madero
to climb up to the wood
para quitarle los clavos
to take the nails away
a Jesús el Nazareno?
from Jesus the Nazarene?
Oh, la saeta, el cantar
Oh, the saeta, the song
al Cristo de los gitanos
to the Christ of the gypsies
siempre con sangre en las manos
always with blood on their hands
siempre por desenclavar.
always to un-nail.
Cantar del pueblo andaluz
Song of the Andalusian people
que todas las primaveras
that every spring
anda pidiendo escaleras
is asking for ladders
para subir a la cruz.
to climb to the cross.
Cantar de la tierra mía
Song of my land
que echa flores
that throws flowers
al Jesús de la agonía
to the Jesus of agony
y es la fe de mis mayores
and is the faith of my ancestors.
!Oh, no eres mi cantar
Oh, you are not my song
no puedo cantar, ni quiero
I cannot sing, nor do I want to
a este Jesús del madero
to this Jesus of the wood
sino al que anduvo en la mar!.
but to the one who walked on the sea!
 

Explanation

In 'Dijo una voz popular,' Antonio Machado explores themes of faith, identity, and cultural heritage through a poignant dialogue with the figure of Jesus. The poem opens with a collective voice asking for a ladder to reach Jesus, symbolizing the desire to connect with the divine and alleviate suffering. The phrase 'para quitarle los clavos' evokes the image of crucifixion, highlighting the pain associated with religious sacrifice. This initial plea sets a tone of longing and desperation, as the speaker seeks to liberate Jesus from his suffering.

The poem then shifts to the 'saeta,' a traditional Andalusian song, which serves as a cultural anchor. The lines 'siempre con sangre en las manos' and 'siempre por desenclavar' reflect the ongoing struggle of the Andalusian people, who are intertwined with their history of suffering and sacrifice. The repeated call for ladders to 'subir a la cruz' reinforces the connection between the people and their faith, suggesting that their spiritual journey is fraught with challenges.

As the poem progresses, the speaker expresses a personal disconnection from the traditional image of Jesus, stating, 'Oh, no eres tú mi cantar.' This marks a shift from collective faith to individual belief, where the speaker cannot sing to the Jesus of the cross but instead yearns for the figure who walked on the sea, representing a more dynamic and relatable aspect of spirituality. The emotional arc transitions from communal longing to personal rejection, revealing a complex relationship with faith.

Machado employs vivid imagery and cultural references to convey the emotional weight of his message. The use of 'escalera' and 'cruz' symbolizes the struggle for spiritual elevation, while the contrast between the 'Jesus del madero' and the 'one who walked on the sea' highlights the tension between suffering and hope. Ultimately, the poem encapsulates the essence of Machado's work, reflecting the broader existential concerns of the Generation of '98, where the search for meaning in a changing world is paramount.

Word Dictionary68

WordIn SpanishIn EnglishPron.
DijodijosaidDijo
unaunaauna
vozvozvoicevoz
popularpopularcommonpopular
QuiénquiénwhoQuién
memememe
prestaprestalendspresta
escaleraescaleraladderescalera
paraparatopara
subirsubirto climbsubir
alalto theal
maderomaderowoodmadero
quitarlequitarleto take awayquitarle
loslosthelos
clavosclavosnailsclavos
aatoa
JesúsJesúsJesusJesús
eleltheel
NazarenoNazarenoNazareneNazareno
Oh,Oh,Oh,Oh,
lalathela
saeta,saeta,saeta,saeta,
cantarcantarsongcantar
CristoCristoChristCristo
dedeofde
gitanosgitanosgypsiesgitanos
siempresiemprealwayssiempre
conconwithcon
sangresangrebloodsangre
enenonen
laslasthelas
manosmanoshandsmanos
porporforpor
desenclavar.desenclavar.to un-nail.desenclavar.
CantarCantarSongCantar
deldelof thedel
pueblopueblopeoplepueblo
andaluzandaluzAndalusianandaluz
quequethatque
todastodasalltodas
primaverasprimaverasspringsprimaveras
andaandais askinganda
pidiendopidiendoasking forpidiendo
escalerasescalerasladdersescaleras
cruz.cruz.cross.cruz.
tierratierralandtierra
míamíaminemía
echaechathrowsecha
floresfloresflowersflores
agoníaagoníaagonyagonía
yyandy
esesises
fefefaithfe
mismismymis
mayoresmayoresancestorsmayores
!Oh,!Oh,Oh,!Oh,
nononotno
ereseresareeres
you
mimimymi
puedopuedoI canpuedo
cantar,cantar,sing,cantar,
nininorni
quieroquieroI wantquiero
esteestethiseste
sinosinobutsino
anduvoanduvowalkedanduvo
mar!.mar!.sea!.mar!.

Poet & Context

EraGeneration of '98

Antonio Machado was a prominent Spanish poet born on July 26, 1875. He was a key figure in the Generation of '98, known for his evolution from modernism to a more intimate symbolism, reflecting on humanity and existence.

View on Wikipedia
WhenEarly 20th century
WhyThe poem reflects the cultural and spiritual struggles of the Spanish people, particularly in relation to their faith and identity.
FormPoem

Themes & More

faithidentitycultural heritage
imagery: vivid descriptions evoke emotional responsesrepetition: emphasizes the longing for connectionsymbolism: the ladder and cross symbolize spiritual struggles