دل کے ویران مکاں میں تری آہٹ ہی نہ تھی
In this poignant ghazal, Ahmad Faraz explores the themes of love and absence, capturing the deep emotional turmoil of longing. The opening line, "دل کے ویران مکاں میں تری آہٹ ہی نہ تھی," evokes a sense of desolation, suggesting that the speaker's heart is an empty space devoid of the beloved's presence. The self-deception in the second line, "ہم نے خود کو ہی سمجھایا کہ کوئی آیا نہیں," reveals the speaker's attempt to cope with the absence by convincing themselves that no one has come, highlighting the pain of unfulfilled desire.
As the poem progresses, the speaker reflects on their emotional state with the line, "کیا بتائیں کہ ہمیں کس حال میں پایا ہے," indicating a profound sense of loss and confusion. The rhetorical question emphasizes the depth of their feelings and the extent of their longing. The subsequent line, "تجھ سے ملنے سے پہلے میں نے کیا کیا نہیں," suggests that the speaker has made numerous efforts to prepare for this encounter, hinting at a history of yearning.
The emotional arc of the poem transitions from longing to a resigned acceptance of loss. The tone shifts as the speaker acknowledges the impact of separation with, "کیا کہیں کہ کسی کے یوں چھوڑ جانے سے," expressing the pain of abandonment. The line, "زندگی میں ہمیں یوں بھی غم جھیلا نہیں," conveys a sense of disbelief at the depth of sorrow they are experiencing, which feels unprecedented.
In the concluding couplet, the speaker reflects on the fading memories of their beloved, asking, "اب کہاں یاد وہ سب باتیں ہوں گی، جاناں," suggesting that the cherished moments may soon be forgotten. The final line, "زندگی میں تری یاد کا صلہ نہیں," encapsulates the essence of the poem, indicating that there is no reward for the memories of love, reinforcing the theme of loss. Faraz's use of imagery and emotional depth resonates with readers, making this ghazal a powerful exploration of love's complexities and the pain of separation.
| Word | In Urdu | In English | Pron. |
|---|---|---|---|
| دل | دل | the heart | dil |
| کے | کا | of | ke |
| ویران | خالی | abandoned | veeraan |
| مکاں | گھر | home | makaan |
| میں | کے اندر | in | mein |
| تیری | تمہاری | your | teri |
| آہٹ | آواز | noise | aahat |
| ہی | صرف | only | hi |
| نہ | نہیں | not | nah |
| تھی | تھا | was | thi |
| ہم | ہم | we | hum |
| نے | کیا | did | ne |
| خود | اپنے | self | khud |
| کو | کو | to | ko |
| سمجھایا | سمجھایا | made understand | samjhaaya |
| کہ | کہ | that | keh |
| کوئی | کچھ | someone | koi |
| آیا | آیا | came | aaya |
| نہیں | نہیں | no | nahi |
| کیا | کیا | what | kya |
| بتائیں | بتائیں | say | bataain |
| ہمیں | ہمیں | us | humein |
| کس | کون | which | kis |
| حال | حالت | state | haal |
| پایا | پایا | found | paaya |
| ہے | ہے | is | hai |
| تجھ | تم | you | tujh |
| سے | سے | from | se |
| ملنے | ملنے | to meet | milne |
| پہلے | پہلے | before | pehle |
| کہیں | کہیں | say | kahin |
| کسی | کسی | anyone | kisi |
| یوں | ایسے | like this | yun |
| چھوڑ | چھوڑ | to leave | chhod |
| جانے | جانے | to go | jaane |
| زندگی | زندگی | existence | zindagi |
| بھی | بھی | also | bhi |
| غم | دکھ | sorrow | gham |
| جھیلا | برداشت کیا | endured | jheela |
| اب | اب | now | ab |
| کہاں | کہاں | where | kahan |
| یاد | یاد | recollection | yaad |
| وہ | وہ | that | woh |
| سب | سب | all | sab |
| باتیں | باتیں | talks | baatein |
| ہوں | ہوں | am | hoon |
| گی | گی | will be | gi |
| جاناں | محبوب | beloved | jaanaan |
| کا | کا | of | ka |
| صلہ | انعام | compensation | sila |
Syed Ahmad Shah, known as Ahmad Faraz, was a prominent Pakistani Urdu poet and scriptwriter, born on January 14, 1931. He was known for his poignant poetry that often critiqued political issues and explored themes of love and loss.
View on Wikipedia