خودی کو کر بلند اتنا کہ ہر تقدیر سے پہلے
In this poem, Allama Iqbal explores the theme of selfhood and the divine relationship, urging individuals to elevate their self-awareness and spiritual consciousness. The opening couplet, "خودی کو کر بلند اتنا کہ ہر تقدیر سے پہلے" suggests that one should strive for such a high state of being that even fate must consult them. This establishes a powerful image of self-empowerment, where the speaker envisions a dialogue with God, who asks, "بتا تیری رضا کیا ہے". This interaction emphasizes the importance of personal agency in shaping one's destiny.
The second couplet shifts to the metaphor of alchemy, where Iqbal questions the essence of conversation and the nature of transformation. The lines "یہی سوز نفس ہے اور میری کیمیا کیا ہے" reveal that true alchemy lies in the passionate burning of the soul, suggesting that spiritual transformation is rooted in deep emotional experience rather than mere intellectual discourse.
As the poem progresses, the speaker reflects on the insights gained from fate, illustrated in the line, "نظر آئیں مجھے تقدیر کی گہرائیاں اس میں". This suggests a profound understanding of destiny's complexities, yet the speaker warns against superficial inquiries into such depths, as seen in "نہ پوچھ اے ہم نشیں". The tone here is contemplative, blending wisdom with a hint of caution.
In the final couplets, Iqbal contrasts the mystical experience of the West with his own philosophical insights, suggesting that if a Western mystic were present, he would enlighten them about the "مقام کبریا" or the station of greatness. The poem concludes with a poignant reflection on suffering, as the morning's call has caused emotional pain, encapsulated in the line, "نوائے صبح گاہی نے جگر خوں کر دیا میرا". This evokes a sense of longing and remorse, reinforcing the idea that spiritual awakening often comes with sacrifice and introspection.
Overall, Iqbal's work serves as a call to embrace one's potential and engage deeply with the spiritual journey, reflecting his broader philosophical and political ideas about identity and self-realization in the context of the Islamic revival.
| Word | In Urdu | In English | Pron. |
|---|---|---|---|
| خودی | خود کی حیثیت | selfhood | khudi |
| کو | کے لیے | to | ko |
| کر | بنا | made | kar |
| بلند | اونچا | high | buland |
| اتنا | اس قدر | so much | itna |
| کہ | کہ | that | keh |
| ہر | تمام | every | har |
| تقدیر | قسمت | fate | taqdeer |
| سے | سے | from | se |
| پہلے | پہلے | before | pehle |
| خدا | اللہ | God | khuda |
| بندے | انسان | servant | banday |
| خود | اپنے آپ | self | khud |
| پوچھے | سوال کرے | asks | poochay |
| بتا | کہہ | tell | bata |
| تیری | تمہاری | your | teri |
| رضا | پسند | desire | raza |
| کیا | کیا | what | kya |
| ہے | ہے | is | hai |
| مقام | جگہ | place | maqam |
| گفتگو | بات چیت | conversation | guftagu |
| اگر | اگر | if | agar |
| میں | میں | in | main |
| کیمیا | کیمیا | alchemy | kimiya |
| گر | کیمیا دان | alchemist | gar |
| ہوں | ہوں | am | hoon |
| یہی | یہی | this | yehi |
| سوز | آگ | burning | sooz |
| نفس | روح | soul | nafs |
| اور | اور | and | aur |
| میری | میری | my | meri |
| نظر | دیکھنا | sight | nazar |
| آئیں | آئیں | came | aain |
| مجھے | مجھے | me | mujhe |
| کی | کی | of | ki |
| گہرائیاں | گہرائی | depths | gehraiyan |
| اس | اس | this | is |
| نہ | نہیں | not | na |
| پوچھ | سوال کرنا | ask | pooch |
| اے | اے | O | ae |
| ہم | ہم | we | hum |
| نشیں | دوست | companion | nashien |
| مجھ | مجھ | me | mujh |
| وہ | وہ | that | woh |
| چشم | آنکھ | eye | chashm |
| سرمہ | کحل | kohl | surma |
| سا | جیسا | like | sa |
| ہوتا | ہوتا | were | hota |
| مجذوب | مجنون | mystic | majzoob |
| فرنگی | غیر ملکی | foreigner | farangi |
| زمانے | وقت | age | zamane |
| تو | تو | then | tu |
| اقبالؔ | اقبال | Iqbal | Iqbal |
| سمجھاتا | سمجھاتا | explains | samjhaata |
| کبریا | عظمت | greatness | kibriya |
| نوائے | آواز | melody | nawaaye |
| صبح | صبح | morning | subah |
| گاہی | گاہی | of dawn | gahi |
| نے | نے | has | ne |
| جگر | دل | heart | jigar |
| خون | خون | blood | khun |
| دیا | دیا | given | diya |
| میرا | میرا | my | mera |
| خدایا | اے خدا | O God | khudaya |
| جس | جس | which | jis |
| خطا | غلطی | sin | khata |
| یہ | یہ | this | ye |
| سزا | سزا | punishment | saza |
Dr. Sir Muhammad Iqbal (November 9, 1877 – April 21, 1938) was a prominent poet, philosopher, and politician in British India, known for his Urdu and Persian poetry. He is regarded as the ideological father of Pakistan and is celebrated for his contributions to the revival of Islamic thought.
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