The Lammas Hireling

Ian DuhigEnglish24 lines2 public analyses
Original Poetry
Translation
After the fair, I’d still a light heart
After the fair, I felt cheerful and had plenty of money, he was so inexpensive.
and a heavy purse, he struck so cheap.
The cattle adored him: during his time, my cows only gave birth to plump calves.
And cattle doted on him: in his time
The yields increased. I liked being with someone who knew when to be silent. Then one night,
mine only dropped heifers, fat as cream.
Yields doubled. I grew fond of company
that knew when to shut up. Then one night,
disturbed from dreams of my dear late wife,
I was awakened from dreams of my late wife,
I hunted down her torn voice to his pale form.
I traced her broken voice to his pale figure.
Stock-still in the light from the dark lantern,
He stood motionless in the light from the dark lantern,
stark-naked but for one bloody boot of fox-trap,
completely naked except for one bloody boot from a fox trap,
I knew him a warlock, a cow with leather horns.
I realized he was a sorcerer, a cow with leather horns.
To go into the hare gets you muckle sorrow,
The saying goes, going into the hare brings a lot of sorrow,
the wisdom runs, muckle care. I levelled
a lot of care. I aimed and shot him through the heart during the early hours.
and blew the small hour through his heart.
The moon appeared. By its yellow light,
The moon came out. By its yellow witness
I saw him grow fur like moss on a stone.
I saw him fur over like a stone mossing.
His beautiful head shrank. His top lip curled.
His lovely head thinned. His top lip gathered.
His eyes rose like bread. I carried him
His eyes rose like bread. I carried him
in a sack that grew lighter at every step
in a sack that became lighter with every step
and dropped him from a bridge. There was no
and dropped him from a bridge. There was no splash.
splash. Now my herd’s elf-shot. I don’t dream
Now my herd is cursed. I don't dream
but spend my nights casting ball from half-crowns
but spend my nights making bullets from coins
and my days here. Bless me Father for I have sinned.
and my days here. Forgive me Father for I have sinned.
It has been an hour since my last confession.
It has been an hour since my last confession.
 

Explanation

The poem 'The Lammas Hireling' by Ian Duhig is a dramatic monologue that tells the story of a farmer who hires a mysterious farmhand during the Lammas harvest. Initially, the hireling brings prosperity to the farm, but the farmer becomes suspicious and discovers the hireling's supernatural nature. The poem is rich with imagery and folklore, blending elements of magic and the supernatural with the mundane life of farming. The farmer's guilt and fear are palpable as he recounts the events leading to the hireling's death. The transformation of the hireling into an animalistic form and the farmer's subsequent actions reflect themes of guilt, transformation, and the unknown. The poem's structure and language create a sense of unease and mystery, drawing the reader into the farmer's troubled mind. The use of folklore and the supernatural serves to highlight the tension between reality and imagination, as well as the consequences of actions driven by fear and suspicion.

Word Dictionary10

WordIn EnglishPlain (English)Pron.
hirelingworkersomeone employed for a short time, often for a specific jobhire-ling
heifersyoung cowsyoung female cows that haven't had a calfhef-ers
warlockwizarda man who uses magic; a sorcererwar-lock
mucklemucha lot or a great amountmuh-kul
elf-shotcursedunder a magical curse or spellelf-shot
confessionadmissionadmitting to doing something wrongcon-fesh-un
sackbaga big bag made of strong materialsak
yieldsproducesthe quantity produced, like cropsyeelds
pursewalleta small bag for carrying moneypurs
castingmakingforming material by pouring it into a moldkast-ing

Poet & Context

EraContemporary

Ian Duhig is a British-Irish poet born in 1954 in London. He worked with homeless people before becoming a poet and has been involved in various literary and musical projects. Duhig is a Fellow of the Royal Society of Literature and has written for stage and anthologies.

View on Wikipedia
WhenContemporary
WhyThe poem is a dramatic monologue set in the past, based on Northern Irish folklore. It explores themes of guilt, transformation, and the supernatural, reflecting on the mysterious and magical elements of rural life.
FormDramatic Monologue

Themes & More

GuiltSupernaturalTransformationFolklore
Imagery: Vivid descriptions of the hireling and his transformation.Enjambment: Sentences run over multiple lines, creating suspense.Alliteration: Repeated consonant sounds, e.g., 'disturbed,' 'dreams,' 'dear.'Metaphor: The hireling is compared to a 'cow with leather horns,' suggesting his unnatural nature.