Material by Ros Barber

Ros BarberEnglish70 lines1 public analyses
Original Poetry
Translation
Material by Ros Barber
My mother was a
My mother was a hanky queen
queen of handkerchiefs
when hanky meant a thing of cloth,
when a handkerchief was made of cloth,
not paper tissues bought in packs
not paper tissues bought in packs
from late-night garages and shops,
from late-night garages and shops,
but things for waving out of trains
but things for waving out of trains
and mopping the corners of your grief:
and wiping away tears:
when hankies were material
when handkerchiefs were made of fabric
she’d have one, always, up her sleeve.
she always had one up her sleeve.
Tucked in the wrists of every cardi,
Tucked in the wrists of every cardigan,
a mum’s embarrassment of lace
a mother's awkward lace
embroidered with a V for Viv,
embroidered with a V for Viv,
spittled and scrubbed against my face.
spit-cleaned and scrubbed against my face.
And sometimes more than one fell out
And sometimes more than one would fall out
as if she had a farm up there
as if she had a farm up there
where dried-up hankies fell in love
where old handkerchiefs fell in love
and mated, raising little squares.
and produced little squares.
She bought her own; I never did.
She bought her own; I never did.
Hankies were presents from distant aunts
Handkerchiefs were gifts from distant aunts
in boxed sets, with transparent covers
in boxed sets, with clear covers
and script initials spelling ponce,
and script initials spelling out 'fancy',
the naffest Christmas gift you’d get
the tackiest Christmas gift you’d get –
my brothers too, more often than not,
my brothers too, more often than not,
got male ones: serious, and grey,
got male ones: serious, and grey,
and larger, like they had more snot.
and larger, like they had more mucus.
It was hankie that closed department stores,
It was handkerchiefs that closed department stores,
with headscarves, girdles, knitting wool
with headscarves, girdles, knitting wool
and trouser presses; homely props
and trouser presses; homely items
you’d never find today in malls.
you’d never find today in malls.
Hankies, which demanded irons,
Handkerchiefs, which needed ironing,
and boiling to be purified
and boiling to be cleaned
shuttered the doors of family stores
closed the doors of family stores
when those who used to buy them died.
when those who used to buy them died.
And somehow, with the hanky’s loss,
And somehow, with the loss of handkerchiefs,
greengrocer George with his dodgy foot
greengrocer George with his bad foot
delivering veg from a Comma van
delivering vegetables from a Comma van
is history, and the friendly butcher
is history, and the friendly butcher
who’d slip and extra sausage in,
who’d slip an extra sausage in,
the fishmonger whose marble slab
the fishmonger whose marble counter
of haddock smoked the colour of yolks
of haddock smoked the color of yolks
and parcelled rows of local crab
and packaged rows of local crab
lay opposite the dancing school
lay opposite the dancing school
where Mrs White, with painted talons,
where Mrs. White, with painted nails,
taught us When You’re Smiling from a stumbling, out of tune piano:
taught us 'When You’re Smiling' from a stumbling, out of tune piano:
step-together, step-together,
step-together, step-together,
step-together, point! The Annual Talent Show
step-together, point! The Annual Talent Show
when every mother, fencing tears,
when every mother, holding back tears,
would whip a hanky from their sleeve
would pull a handkerchief from their sleeve
and smudge the rouge from little dears.
and wipe the makeup from little ones.
Nostalgia only makes me old.
Nostalgia only makes me feel old.
The innocence I want my brood
The innocence I want my children
to cling on to like ten-bob notes
to hold onto like ten-bob notes
was killed in TV’s lassitude.
was killed by TV’s laziness.
And it was me that turned it onand eat bought biscuits I would bake
And it was me that turned it on and ate store-bought biscuits I would bake
if I’d commit to being home.
if I’d commit to being home.
There’s never a hanky up my sleeve.
There’s never a handkerchief up my sleeve.
I raised neglected-looking kids,
I raised neglected-looking kids,
the kind whose noses strangers clean.
the kind whose noses strangers clean.
What awkwardness in me forbids
What awkwardness in me stops
me to keep tissues in my bag when handy packs are 50p?
me from keeping tissues in my bag when handy packs are 50p?
I miss material handkerchiefs,
I miss fabric handkerchiefs,
their soft and hidden history.
their soft and hidden history.
But it isn’t mine. I’ll let it go.
But it isn’t mine. I’ll let it go.
My mother too, eventually,
My mother too, eventually,
who died not leaving handkerchiefs
who died not leaving handkerchiefs
but tissues and uncertainty:
but tissues and uncertainty:
and she would say, should I complain
and she would say, should I complain
of the scratchy and disposable,
of the scratchy and disposable,
that this is your material
that this is your material
to do with, daughter, what you will.
to do with, daughter, what you will.
 

Explanation

Ros Barber's poem 'Material' explores the theme of nostalgia and the generational shift from a time of tangible, intimate connections to a modern, disposable culture. The poem reflects on the poet's mother, who cherished cloth handkerchiefs, a symbol of a bygone era of personal and domestic care. These handkerchiefs, embroidered and lovingly maintained, contrast sharply with today's paper tissues, representing a loss of tradition and personal touch. The poem uses vivid imagery to evoke the past, such as the mother's handkerchiefs tucked in her sleeve, the bustling family stores, and the community figures like the greengrocer and butcher. The poet laments the loss of these connections and the innocence of childhood, which has been replaced by the convenience and detachment of modern life. The poem also touches on the poet's own feelings of inadequacy as a parent, unable to replicate the warmth and care of her mother's generation. The final lines reflect a resignation to this change, acknowledging that the past cannot be reclaimed, and the poet must create her own 'material' from the present.

Word Dictionary15

WordIn EnglishPlain (English)Pron.
hankyhandkerchiefa small piece of cloth used for wiping the face or handshank-ee
cardicardigana type of knitted sweater with buttonskar-dee
poncefancysomething overly fancy or pretentiouspons
naffesttackiestthe most unfashionable or lacking in stylenaf-est
lassitudelazinessa state of physical or mental wearinesslas-i-tood
broodchildrena group of young offspringbrood
talonsnailssharp, pointed nailstal-ons
smudgesmearto make a dirty mark or streaksmuhj
broodchildrena group of young offspringbrood
yolksegg centersthe yellow part of an eggyolks
dodgyunreliablepotentially unsafe or unreliabledod-jee
fencingholding backto prevent or restrainfen-sing
ten-bob notesold currencya former British currency note worth ten shillingsten-bob nohts
broodchildrena group of young offspringbrood
materialsubstancethe substance or fabric from which something is mademuh-teer-ee-uhl

Poet & Context

EraContemporary

Rosalind Barber, born in 1964, is an English novelist, poet, and academic. She is known for her poetry collection 'Material' and the novel 'The Marlowe Papers'.

View on Wikipedia
WhenPublished in 2008
WhyThe poem 'Material' by Ros Barber reflects on generational loss, nostalgia, and the changing nature of domestic life. It contrasts the past's tangible, intimate connections with the present's disposable culture.
FormFree verse

Themes & More

NostalgiaGenerational changeLossDomestic life
Imagery: Vivid descriptions of handkerchiefs and community life evoke a sense of nostalgia.Metaphor: Handkerchiefs symbolize the past and personal connections.Personification: Handkerchiefs 'fell in love and mated', giving them human-like qualities.Contrast: The poem contrasts the past's tangible connections with the present's disposability.