Taci. Su le soglie

Gabriele D'AnnunzioItalian128 lines1 public analyses
Original Poetry
Translation
Taci. Su le soglie
Be quiet. At the edges
del bosco non odo
of the woods, I don't hear
parole che dici
the words you say
umane; ma odo
as human; but I hear
parole più nuove
newer words
che parlano gocciole e foglie
spoken by raindrops and distant leaves.
lontane.
Listen. It rains
Ascolta. Piove
from scattered clouds.
dalle nuvole sparse.
It rains on the tamarisks
Piove su le tamerici
salty and burnt,
salmastre ed arse,
it rains on the pines
piove su i pini
scaly and bristly,
scagliosi ed irti,
it rains on the myrtles
piove su i mirti
divine,
divini,
on the bright broom
su le ginestre fulgenti
of gathered flowers,
di fiori accolti,
on the thick junipers
su i ginepri folti
of fragrant berries,
di coccole aulenti,
it rains on our forest-like
piove su i nostri vólti
faces,
silvani,
it rains on our bare
piove su le nostre mani
hands,
ignude,
on our light
su i nostri vestimenti
clothes,
leggieri,
on the fresh thoughts
su i freschi pensieri
that the soul opens
che l’anima schiude
anew,
novella,
on the beautiful story
su la favola bella
that yesterday
che ieri
deceived you, that today deceives me,
t’illuse, che oggi m’illude,
o Hermione.
o Ermione.
Odi? La pioggia cade
Do you hear? The rain falls
su la solitaria
on the lonely
verdura
greenery
con un crepitìo che dura
with a crackling that lasts
e varia nell’aria
and changes in the air
secondo le fronde
according to the branches
più rade, men rade.
more sparse, less sparse.
Ascolta. Risponde
Listen. It answers
al pianto il canto
the weeping with the song
delle cicale
of the cicadas
che il pianto australe
that the southern rain
non impaura,
does not scare,
il ciel cinerino.
nor the gray sky.
E il pino
And the pine
ha un suono, e il mirto
has one sound, and the myrtle
altro suono, e il ginepro
another sound, and the juniper
altro ancóra, stromenti
yet another, instruments
diversi
different
sotto innumerevoli dita.
under countless fingers.
E immersi
And we are immersed
noi siam nello spirto
in the forest
silvestre,
spirit,
d’arborea vita viventi;
living the life of trees;
e il tuo vólto ebro
and your intoxicated face
è molle di pioggia
is wet with rain
come una foglia,
like a leaf,
e le tue chiome
and your hair
auliscono come
smells like
le chiare ginestre,
the bright broom,
o creatura terrestre
o earthly creature
che hai nome
named
Ermione.
Hermione.
Ascolta, ascolta. L’accordo
Listen, listen. The harmony
delle aeree cicale
of the aerial cicadas
a poco a poco
little by little
più sordo
becomes more muffled
si fa sotto il pianto
under the rain
che cresce;
that grows;
ma un canto vi si mesce
but a song mixes
più roco
more hoarse
che di laggiù sale,
that rises from there,
dall’umida ombra remota.
from the distant damp shadow.
Più sordo, e più fioco
More muffled, and more faint
s’allenta, si spegne.
it loosens, it fades.
Sola una nota
Only one note
ancor trema, si spegne,
still trembles, fades,
risorge, trema, si spegne.
rises again, trembles, fades.
Non s’ode voce del mare.
No voice of the sea is heard.
Or s’ode su tutta la fronda
Now is heard over all the leaves
crosciare
the silver rain
l’argentea pioggia
that cleanses,
che monda,
the roar that changes
il croscio che varia
according to the leaves
secondo la fronda
more dense, less dense.
più folta, men folta.
Listen.
Ascolta.
The daughter of the air
La figlia dell’aria
is silent; but the daughter
è muta; ma la figlia
of the distant mud,
del limo lontana,
the frog,
la rana,
sings in the deepest shadow,
canta nell’ombra più fonda,
who knows where, who knows where!
chi sa dove, chi sa dove!
And it rains on your eyelashes,
E piove su le tue ciglia,
Hermione.
Ermione.
Piove su le tue ciglia nere
It rains on your black eyelashes
che par tu pianga
so that it seems you cry
ma di piacere; non bianca
but with pleasure; not white
ma quasi fatta virente,
but almost turning green,
par da scorza tu esca.
it seems you emerge from bark.
E tutta la vita è in noi fresca
And all life is fresh
aulente,
and fragrant in us,
il cuor nel petto è come pèsca
the heart in the chest is like an untouched peach,
intatta,
between the eyelids the eyes
tra le pàlpebre gli occhi
are like springs among the grass,
son come polle tra l’erbe,
the teeth in the sockets
i denti negli alvèoli
are like unripe almonds.
son come mandorle acerbe.
And we go from thicket to thicket,
E andiam di fratta in fratta,
now joined now apart
or congiunti or disciolti
(and the rough green vigor
(e il verde vigor rude
binds our ankles
ci allaccia i mallèoli
entangles our knees)
c’intrica i ginocchi)
who knows where, who knows where!
chi sa dove, chi sa dove!
And it rains on our forest-like
E piove su i nostri vólti
faces,
silvani,
it rains on our bare
piove su le nostre mani
hands,
ignude,
on our light
su i nostri vestimenti
clothes,
leggieri,
on the fresh thoughts
su i freschi pensieri
that the soul opens
che l’anima schiude
anew,
novella,
on the beautiful story
su la favola bella
that yesterday
che ieri
deceived me, that today deceives you,
m’illuse, che oggi t’illude,
o Hermione.
o Ermione.
 

Explanation

Gabriele D'Annunzio's poem 'La pioggia nel pineto' is a vivid exploration of nature's mystical connection with human emotions. The poem opens with a call for silence, inviting the reader to listen to the 'newer words' of nature, as rain falls on the forest. This imagery of rain serves as a metaphor for renewal and the cyclical nature of life. The poem's speaker describes the rain's interaction with various elements of the forest, such as tamarisks, pines, and myrtles, each producing a unique sound, symbolizing the diversity and harmony of nature.

The poem's emotional arc moves from a serene observation of nature to a deeper immersion into its spirit. The speaker and Hermione, the addressee, become one with the sylvan environment, their senses heightened by the rain's touch. The rain's persistence and its effect on the landscape evoke a sense of tranquility and introspection. The poem's tone is contemplative, as the speaker reflects on the ephemeral nature of illusions and desires, represented by the 'beautiful fable' that once deluded both the speaker and Hermione.

D'Annunzio employs various literary devices to enhance the poem's sensory experience. The repetition of 'piove' (it rains) creates a rhythmic pattern, mirroring the rain's continuous fall. The use of synesthesia, where sounds and scents blend, enriches the imagery, making the reader feel the rain's presence. The poem's structure, with its flowing lines and varying stanza lengths, mirrors the natural ebb and flow of rain, reinforcing the theme of nature's omnipresence.

The poem's significance lies in its portrayal of nature as a source of solace and reflection. D'Annunzio's work, influenced by the Decadent movement, often explores themes of beauty, desire, and the interplay between nature and human experience. 'La pioggia nel pineto' exemplifies this, offering a glimpse into the poet's belief in the transformative power of nature and its ability to evoke profound emotional responses.

Word Dictionary63

WordIn ItalianIn EnglishPron.
TaciSilenzioBe silentTaa-chee
SuSopraOnSoo
leletheleh
soglieingressithresholdssoh-lyeh
deldi ilof thedel
boscoforestaforestboh-skoh
nonnonnotnon
odosentohearoh-doh
paroleparolewordspah-roh-leh
chechethatkeh
dicidiciyou saydee-chee
umaneumanehumanoo-mah-neh
mamabutmah
piùpiùmorepyoo
nuovenuovenewnoo-oh-veh
parlanoparlanospeakpahr-lah-noh
gocciolegoccedropsgoh-choh-leh
eeandeh
fogliefoglieleavesfoh-lyeh
lontanedistantidistantlohn-tah-neh
AscoltaSentiListenahs-kohl-tah
PiovePioveIt rainspyoh-veh
dalleda lefrom thedah-leh
nuvolenuvolecloudsnoo-voh-leh
sparsedispersescatteredspahr-seh
susuonsoo
tamericitamericitamariskstah-meh-ree-chee
salmastresalatesaltysahl-mah-streh
edeanded
arsebruciateburntahr-seh
pinipinipinespee-nee
scagliosiscagliosiscalyskah-lyoh-see
irtiispidibristlyeer-tee
mirtimirtimyrtlesmeer-tee
divinidivinidivinedee-vee-nee
ginestreginestrebroomjee-neh-streh
fulgentisplendentibrightfool-jehn-tee
didiofdee
fiorifioriflowersfyoh-ree
accoltiraccoltigatheredahk-kohl-tee
gineprigineprijunipersjee-neh-pree
foltidensithickfohl-tee
coccolebaccheberrieskoh-koh-leh
aulentiprofumatifragrantow-lehn-tee
nostrinostriournoh-stree
vóltifaccefacesvohl-tee
silvaniselvaticisylvanseel-vah-nee
manimanihandsmah-nee
ignudenudebareee-nyoo-deh
vestimentiabiticlothesveh-stee-mehn-tee
leggierileggerilightleh-jeh-ree
freschifreschifreshfreh-skee
pensieripensierithoughtspehn-syeh-ree
l’animal’animathe soullah-nee-mah
schiudeapreunfoldsskee-oo-deh
novellanuovaanewnoh-veh-lah
favolastoriafablefah-voh-lah
bellabellabeautifulbehl-lah
ieriieriyesterdayyeh-ree
t’illuset’ingannòdeluded youtee-lloo-zeh
oggioggitodayoh-jee
m’illudem’ingannadeludes memee-lloo-deh
ErmioneErmioneHermioneehr-mee-oh-neh

Poet & Context

EraDecadent movement

Gabriele D'Annunzio (1863–1938) was an Italian poet, playwright, and soldier. He was a prominent figure in Italian literature and politics, associated with the Decadent movement. His works often intertwined with symbolism and aestheticism, and he was known for his nationalistic and political activities.

View on Wikipedia
When1899-1903
WhyThe poem is part of the collection 'Alcyone', which reflects D'Annunzio's exploration of nature and its mystical connection with human emotions. It was written during a period when D'Annunzio was deeply influenced by symbolism and aestheticism.
FormPoem

Themes & More

NatureIllusionRenewalHarmony
Metaphor: Rain as a symbol of renewal and life cycles.Synesthesia: Blending of sensory experiences, such as sound and scent.Repetition: The word 'piove' creates rhythm and continuity.