Dahling, We Can’t

Stephen L. HarrisonEnglish41 lines1 public analyses
Original Poetry
Translation
Dahling, We Can’t
Darling, we can't—
Stephen L. Harrison
we just can't stay.
Dahling, we can’t
The trees might suddenly
we simply cannot stay.
catch fire;
The trees might spontaneously
the hedges could ignite
inflagrate;
and turn this sunny paradise
the hedges catch a spark
into a complete hell.
and turn this sun-baked paradise
Think about the wine—
into an absolute inferno.
our rich little cellar
Think of the wine
boiling in its bottles.
our wealthy little cellar
Think about the Ferraris,
boiling in its bottles.
their red pride
Think of the Ferraris,
melted into a sculpture.
their scarlet pride
And the Ayam Cemani hens,
reduced to molten sculpture.
those black-feathered treasures—
And the Ayam Cemani hens,
Darling, it's unbearable
those black-feathered jewels
to think about.
Dahling, it does not bear
We have to sell the house.
thinking about.
We have to leave Mansionland.
We must put the house up for sale.
We will move
We must leave Mansionland.
to the former miners’ area:
We shall move
barren, reliable concrete,
to the ex-minersestate:
windows safely made of glass,
barren, dependable concrete,
and a view over the suburbs.
windows reassuringly made of glass,
There, the only thing
and an outlook over Murburbia.
that flashes in the dark
There, the only thing
is a knife—
that flashes in the darkness
and at least the mailbox
is a knife
can be closed
and at least the letterbox
against any little spark.
can be sealed
Please, Darling,
against every little spark.
leave the sun-dried grass,
Please, Dahling,
the trees, the heatwave
leave the sun-baked grass,
and all this unbearable wealth.
the trees, the heatwave
We will be safer
and all this unbearable wealth.
in an old miner’s small house.
We shall be safer
Darling, we have to move.
in an old miner’s little cottage.
We can't.
Dahling, we must move.
Cannot.
We can’t.
Can not.
 

Explanation

Stephen L. Harrison's poem "Dahling, We Can’t" humorously critiques the burdens of wealth and the desire to escape its trappings. The poem opens with a sense of urgency as the speaker insists they cannot stay in their luxurious surroundings. The imagery of trees potentially catching fire and turning paradise into an inferno highlights the fragility and danger lurking beneath the surface of opulence.

The poem uses vivid images like wine boiling in bottles and Ferraris melting to underscore the absurdity of wealth. The mention of Ayam Cemani hens, described as "black-feathered jewels," adds a touch of exotic luxury, which the speaker finds unbearable to contemplate losing. This exaggeration serves to mock the superficial value placed on material possessions.

The emotional arc moves from urgency and concern to a resigned acceptance of leaving behind wealth for safety. The tone is both satirical and earnest, capturing the tension between the allure of luxury and the desire for a simpler, more secure life.

Harrison employs literary devices such as irony and hyperbole to emphasize the absurdity of the situation. The contrast between the luxurious "Mansionland" and the "barren, dependable concrete" of the miners' estate highlights the speaker's internal conflict. The poem's free verse form allows for a conversational tone, enhancing the personal and intimate nature of the plea.

Ultimately, the poem reflects on the superficiality of wealth and the longing for authenticity and safety. It critiques the societal obsession with material success and suggests that true security may lie in simplicity and modesty.

Word Dictionary10

WordIn EnglishPlain (English)Pron.
DahlingDarlingA term of endearment, like 'dear' or 'love'dah-ling
inflagratecatch fireTo catch fire or burst into flamesin-flah-grayt
infernohellA large, intense fire or a place resembling hellin-fer-no
Ayam Cemania type of chickenA rare breed of chicken known for its black feathersah-yahm che-mah-nee
Mansionlandland of mansionsAn area characterized by large, luxurious homesman-shun-land
MurburbiasuburbsA fictional or humorous term for suburban areasmur-bur-bee-ah
barrenemptyEmpty or lacking in vegetationbar-ren
dependablereliableReliable or trustworthyde-pen-da-bul
reassuringlycomfortinglyIn a comforting way that removes doubts or fearsree-uh-shoor-ing-lee
unbearableintolerableToo difficult to endureun-bear-uh-bul

Poet & Context

EraContemporary

Stephen L. Harrison is a contemporary writer whose works often explore themes of wealth, societal change, and personal transformation. His poetry reflects a keen observation of modern life and its contradictions.


WhenContemporary period
WhyThe poem reflects on the absurdity and fragility of wealth and the desire to escape its burdens. It juxtaposes the opulence of a luxurious lifestyle with the simplicity and perceived safety of a modest life.
FormFree verse

Themes & More

Wealth and MaterialismSafety and SecurityIrony and Satire
Irony: The poem uses irony to highlight the absurdity of wealth.Hyperbole: Exaggerated imagery emphasizes the fragility of luxury.Imagery: Vivid descriptions of fire and luxury create a stark contrast.
Dahling, We Can’t by Stephen L. Harrison — Poem, Translation & Meaning